Senin, 01 Desember 2008

TOTO concert in Bandung

14 March at Bandung. Toto, the old kings, had returned and cheered up a lil bit of this broken heart. The concert was quite OK for a small venue like Sabuga. The sound and lighting system was just awesome, even though there was a slight problem with the keyboard's sound. They played old and new stuff and the crowd kept on applausing each songs. Rock on, Bandung! Me (Angga van Halen) and my friends Fauzan to get the festival seats, and even moved closer to the stage at the end of the show for singing along "Africa" with other fans. Other great songs they played were "Gypsi Train","Rosanna", "Stop Loving You", "Pamela", "Don't Chain My Heart", etc.
The Great experience of all over my life................. yeaah!!!



Sammy Hagar Lead vocal Van Halen heee..........
Lead Singer of The Big RockBand Van Halen / Guitar en lead vocal of Montrose Band.
Sammy is a professional rock and roller, nightclub owner, and Tequila connoisseur with a passion for quality in everything he does.
Sammy’s accolades include the journey as singer and songwriter for Van Halen for 11 years in the mid-80s through mid-90s, a highly successful solo career both before and after his run with Van Halen, and an early stint with Ronnie Montrose. In his long road of a career, Sammy's combined record sales when considering the above resume exceed 60 Million records sold! As founder of the most rockin’ club in the world (the Cabo Wabo Cantina of course) and producer of one of the truly premium Tequilas in the world (Cabo Wabo Tequila naturally), Sammy has established himself as an astute and extremely successful entrepreneur.
The best vocal uy heeeeeeee........ auw!!!!!

Senin, 24 November 2008

CELOTEHAN HISTORY FOR MY FAVORITE BAND

Van Halen is an American rock music( masih turunan WongLondo-Indonesia uy) band formed in the early 1970s and discover by KISS bassist and co founder Gene Simmons. The band's first studio album, Van Halen, with Edd van Halen,Alex van Halen,Michael Anthony, and David Lee Roth "the rich man from their the band player" released in 1978 is widely regarded as a milestone in rock music. With this first release, the band established itself as a leader in the emerging and commercially successful U.S. heavy metal music genre of the 1980s. In particular, the band's guitarist, Edd Van Halen, with the technics hammer on, typing guitar ,sound like animal ,quickly gain widespread notoriety for his technical prowess and musical sensibility. Almost over ..... and I hope the band of Van "fuckin" Halen come to Indonesia someday .........Pokoe VAN HALEN is the best !!!!

Minggu, 09 November 2008

Led Zeppelin


Led Zeppelin
were an English rock band formed in 1968 by Jimmy Page, Robert Plant, John Paul Jones and John Bonham. With their heavy, guitar-driven sound, Led Zeppelin are regarded as one of the first heavy metal bands.However, the band's individualistic style draws from many sources and transcends any one genre.Their rock-infused interpretation of the blues genres also incorporated rockabilly, classical, pop, latin and country. The band did not release the popular songs from their albums as singles in the UK, as they preferred to develop the concept of Led Zeppelin.

Close to 30 years after disbanding following Bonham's death in 1980, the band continue to be held in high regard for their artistic achievements, commercial success and broad influence. The band have sold more than 300 million albums worldwide, including 111.5 million sales in the United States and they have had all of their original studio albums reach the U.S.Billboard Top 10,with six reaching the number one spot. Led Zeppelin are ranked No. 1 on VH1's 100 Greatest. Rolling Stones magazine has described Led Zeppelin as "the heaviest band of all time" and "the biggest band of the 70s". Artists of Hard Rock

On 10 December 2007 the surviving members of Led Zeppelin reunited (along with deceased drummer John Bonham's son Jason) for the Motley Crue tribute at The Wembley in London.

Minggu, 26 Oktober 2008

DRUM

A drum set is a collection of drums, cymbals and sometimes other percussion intruments, such as tambourine, arranged for convenient playing by a single drummer.The individual instruments of a drum set are struck by a variety of implements held in the hand, including sticks, brushes, and mallets. Two notable exceptions include the bass drum, played by a foot operate pedal, and the hi hat cymbals, which may be struck together using a foot pedal in addition to being played with sticks or brushes.

GUITAR

The guitar is a musical instrument with ancient roots that is used in a wide variety of musical styles. It typically has six strings, but four,seven,eight,ten and twelve string guitars also exist.Guitars are recognized as one of the primary instruments in blues, country, rock music, and many forms of pop. They can also be a solo classic instrument.

Type Music in the World

Type music in around the world is a loosely define genre of pop music that development during and after the 1960s. It has roots in 1940s and 1950s rock n roll and rockabilly, which evolved from blues, country music and other influences. In turn, rock music drew on many other musical influences, including folk music, jazz and classic music.

Rocks in 80s







Rock music 80s is very famous in the world until now.
Players use a guitar shaped controller to simulate playing rock music by hitting notes as they scroll towards the player. Rocks the 80s is the great title in the Guitar Hero series, rather than a full sequel. No changes in gameplay from the have been introduce to Rock music. As implied by the music title, the music features a 1980s theme, consisting of songs from the decade and playable characters, fashions, and artwork that reflect the time period.

Senin, 05 Mei 2008

Edd van Halen Biography

With their 1978 eponymous debut, Van Halen simultaneously re-wrote the rules for rock guitar and hard rock in general. Guitarist Eddie Van Halen redefined what electric guitar could do, developing a blindingly fast technique with a variety of self-taught two-handed tapping, hammer-ons, pull-offs, and effects that mimicked the sound of machines and animals. It was wildly inventive and over-the-top, equaled only by vocalist David Lee Roth, who brought the role of a metal singer to near performance art standards. Together, they made Van Halen into the most popular American rock & roll band of the late '70s and early '80s, and, in the process, set the template for hard-rock and heavy metal for the '80s. Throughout the '80s, it was impossible not to hear Van Halen's instrumental technique on records that ranged from the heaviest metal to soft-pop.

Through all the upheaval over lead vocalists, Eddie Van Halen and his prodigious talent remained at the core of Van Halen. The son of a Dutch bandleader, Eddie and his family moved from the Netherlands to Pasadena, California in 1967, when he was 12 years old and his older brother Alex was 14. As their father supported the family by playing in wedding bands, Eddie and Alex continued their classical piano training. Soon, both boys were enraptured by rock & roll. Eddie learned how to play drums and Alex took up the guitar, eventually switching instruments. The brothers began a hard-rock band called Mammoth and began playing around Pasadena, eventually meeting David Lee Roth. At the time, Roth, who had been raised in a wealthy Californian family, was singing in Redball Jet. Impressed by the Van Halen brothers, he joined forces with the group. Shortly afterward, bassist Michael Anthony, who was singing with Snake, became a member of Mammoth.

Eddie Van Halen became a role model for modern guitarists, regardless of their tastes and preferences. His talent and skill were unquestioned, and he demonstrated a dazzling array of techniques, from simple riffs to extended solos filled with intricate fret work. "Eruption," an instrumental track on the first album, became his calling card as it was transformed into a lengthy showcase during concerts.

A Mammoth Beginning:
Brothers Alex and Eddie Van Halen were born in The Netherlands. After the family moved to Pasadena, California Eddie began studying classical piano and Alex took up the guitar. By their early teens, it was Eddie who was playing guitar and Alex had switched to drums.
In 1974, the Van Halen brothers, bassist Michael Anthony and vocalist David Lee Roth began playing local gigs as Mammoth. When they discovered that another Pasadena band was already using that name, Roth suggested the

group take the name Van Halen. The brothers didn’t like it at first, but when no one came up with a better name, they went along with it.
Launching the Rocket:
In 1976, Van Halen was getting regular work playing clubs on Los Angeles’ Sunset Strip. It was here that they came to the attention of KISS frontman Gene Simmons, who wa
s so impressed with the band that he paid for their first demo tape. In 1978, their self-titled debut album was released, becoming one of the most successful debut albums ever and bringing hard rock into the musical mainstream.
Over the next 20 years, the Van Halens and Anthony remained the core of the increasingly influential and successful band. Roth left the group in 1985, primarily because of disagreements with Eddie Van Halen. Sammy Hagar, then the lead singer for Montrose, replaced Roth. The “Van Hagar” era lasted until 1996. Gary Cherone signed on for two years, and one album, as lead singer. Hagar rejoined the band for a reunion tour in 2004.
Today and Tomorrow:
Roth and Hagar have pursued successful solo careers, and toured together in 2002. Hagar and Anthony teamed up for a 2006 summer tour. Until recently Eddie Van Halen has been somewhat reclusive, undergoing hip replacement and cancer surgery, and a divorce from his wife of 21 years, actress Valerie Bertinelli. The brothers performed briefly with country artist Kenny

Chesney during a Los Angeles area concert in June 2006. Eddie performed a solo concert in Los Angeles in July 2006.
The Roth era brought the greatest critical acclaim, though the Hagar era was the most successful commercially. In 2007, the Van Halen brothers, Eddie's son Wolfgang and Roth re-formed Van Halen for a reunion tour.

Edward bought the ash body from Linn Ellsworth in 1975 for fifty dollars and the neck (also a cast-off) for eighty dollars. Originally, the body came with single-coil bridge, neck, and middle pickup positions pre-routed and Van Halen, with a chisel, excavated a hole to house a humbucker in the bridge position. He placed in this chiseled hole a P.A.F. from a 1961 Gibson ES-335. The pickup was also "ruined" but sounded good so it's what he used. The single-coil neck pick-up was completely disengaged. The guitar was first sprayed with black and then white Scwinn acrylic lacquer bicycle paint and mounted a black strat-style pickguard (also home-made) eventually only covering the two front (electronics) routings. The Guitar was eventually repainted with red, black and white stripes and orange truck reflectors added to the back of the guitar.. This red-Frankenstrat first appeared as the black and white guitar pictured on the debut VH album The nut was brass and the tailpiece unit was from a 1961 Fender Stratocaster. This guitar was Edward's main instrument for the first several albums and tours. During the band's second world wide stampede Van Halen replaced the original tremelo with then-prototype Floyd Rose. A quarter was attached just under the top-back side of the floyd Rose to keep it from rising up.That first Linn Ellsworth neck was broken by the guitarist's rigorous stage antics and replaced with whatever was handy (including a Danelectro at one point). The Ellsworth neck sported Gibson jumbo frets ("I put those in with the help of some Crazy Glue"-EVH). The tuning heads were Schallers. "There's really no secret. The reason I use what I use is through trial and error,"-EVH

Rabu, 30 April 2008

With their 1978 eponymous debut, Van Halen simultaneously re-wrote the rules for rock guitar and hard rock in general. Guitarist Eddie Van Halen redefined what electric guitar could do, developing a blindingly fast technique with a variety of self-taught two-handed tapping, hammer-ons, pull-offs, and effects that mimicked the sound of machines and animals. It was wildly inventive and over-the-top, equaled only by vocalist David Lee Roth, who brought the role of a metal singer to near performance art standards. Together, they made Van Halen into the most popular American rock & roll band of the late '70s and early '80s, and, in the process, set the template for hard-rock and heavy metal for the '80s. Throughout the '80s, it was impossible not to hear Van Halen's instrumental technique on records that ranged from the heaviest metal to soft-pop.

Through all the upheaval over lead vocalists, Eddie Van Halen and his prodigious talent remained at the core of Van Halen. The son of a Dutch bandleader, Eddie and his family moved from the Netherlands to Pasadena, California in 1967, when he was 12 years old and his older brother Alex was 14. As their father supported the family by playing in wedding bands, Eddie and Alex continued their classical piano training. Soon, both boys were enraptured by rock & roll. Eddie learned how to play drums and Alex took up the guitar, eventually switching instruments. The brothers began a hard-rock band called Mammoth and began playing around Pasadena, eventually meeting David Lee Roth. At the time, Roth, who had been raised in a wealthy Californian family, was singing in Redball Jet. Impressed by the Van Halen brothers, he joined forces with the group. Shortly afterward, bassist Michael Anthony, who was singing with Snake, became a member of Mammoth.

Eddie Van Halen became a role model for modern guitarists, regardless of their tastes and preferences. His talent and skill were unquestioned, and he demonstrated a dazzling array of techniques, from simple riffs to extended solos filled with intricate fret work. "Eruption," an instrumental track on the first album, became his calling card as it was transformed into a lengthy showcase during concerts.

rule

EVH Gear

The Custom built "Franken-Strat"
1978 to 1984

Edward bought the ash body from Linn Ellsworth in 1975 for fifty dollars and the neck (also a cast-off) for eighty dollars. Originally, the body came with single-coil bridge, neck, and middle pickup positions pre-routed and Van Halen, with a chisel, excavated a hole to house a humbucker in the bridge position. He placed in this chiseled hole a P.A.F. from a 1961 Gibson ES-335. The pickup was also "ruined" but sounded good so it's what he used. The single-coil neck pick-up was completely disengaged. The guitar was first sprayed with black and then white Scwinn acrylic lacquer bicycle paint and mounted a black strat-style pickguard (also home-made) eventually only covering the two front (electronics) routings. The Guitar was eventually repainted with red, black and white stripes and orange truck reflectors added to the back of the guitar.. This red-Frankenstrat first appeared as the black and white guitar pictured on the debut VH album The nut was brass and the tailpiece unit was from a 1961 Fender Stratocaster. This guitar was Edward's main instrument for the first several albums and tours. During the band's second world wide stampede Van Halen replaced the original tremelo with then-prototype Floyd Rose. A quarter was attached just under the top-back side of the floyd Rose to keep it from rising up.That first Linn Ellsworth neck was broken by the guitarist's rigorous stage antics and replaced with whatever was handy (including a Danelectro at one point). The Ellsworth neck sported Gibson jumbo frets ("I put those in with the help of some Crazy Glue"-EVH). The tuning heads were Schallers. "There's really no secret. The reason I use what I use is through trial and error,"-EVH


Kramer Guitars
1983 to 1991

In 1983 Ed began endorsing Kramer guitars and used customized Kramer guitars and necks.

Although a Kramer EVH signature model was never created the Kramer "Baretta" was modeled after Ed's frankenstrat (minus the paint job and other EVH customizations)


The Stienberger
1986 to 1998

Edward introduced the Stienberger Tran's Trem equipped guitar into his arsenal in 1986.
This transposing trem first appeared on the 5150 album and tour. The trans-trem tremelo can be heard on the songs "Summer Nights" and "Me Wise Magic" to name a few


EVH Music Man Signature Guitars
1991 to 1994

In 1991 Ed collaborated with Earnie Ball to create a EVH signature guitars of Ed's design.

Ed and Earnie Ball split in 1994
due to problems with slow production and distribution.

Size: 12 5/8" wide, 1" thick, 36 5/8" long
Weight: 8 pounds. Varies Slightly
Body: Wood Basswood with bookmatched figure mapel top
Finish: High gloss polyester
Bridge: Music Man Floyd Rose licensed tremolo
Neck
Size Scale:
25" Radius: 10"
Headstock:
Only 5 7/8" long
Frets: 22 - Special design unique profile fretwire
Width: 1 5/8" at nut, 2 5/32" at last fret
Wood Selected: maple neck and fingerboard, digitally carved
to Ed's specifications
Tuners: Schaller M6La with pearl buttons
Electronics
Pickups:
2 Custom DiMarzio Humbucking
Controls: 500K volume pot with "tone" knob (the way Ed likes it!)
Switch: 3-way toggle pickup selector


The Peavey EVH Wolfgang
1995 - Present

Edward considers the Wolfgang the natural evolution of the Ernie Ball/Music Man guitar. "It's what I would've done had I stayed with Music Man. That would've been the next step," suggests Ed. "The angle of the neck is better, it's balanced better, it's got an arched top, and it's got the D-Tuner," he points out. Ed, in fact, owns the patent to the unique D-tuner. (The "D-Tuna" d-tuner allows you to drop the low E string to a D with the flick of a switch without unclamping the trems nut lock.)

Scale: 23 1/2"
Body: Basswood or figured Maple top with
basswood bottom
Neck: Bolt on oil finished figured birdseye Maple, graphite
reinforced scuplted joint
Fret Board: Birdseye Maple
Frets: 22
Pickups: Two Humbucking designed to Edward
Van Halen's specifications.
Controls: Volume, Tone, # wat Pickup Selector
Bridge: Floyd Rose Licensed double locking tremelo with
patented D-Tuner


Fernandez Sustainer

Ed uses the Fernandez Sustainer pickup which is housed in a Custom Wolfgang guitar (not offered by Peavey). The sustainer can be heard on the songs "Me Wise Magic" and "A Year To The Day" to name a few.

Ed has started using a Wolfgang Special's equipped with the Stienberger transtrem which replaces his customized Stienberger guitar


Guitar Setup

Ed's guitars are strung with Peavey extra-light strings, gauges .009 to .042 Ed sets his action as low as possible for the easiest playability with the least amount of resistance. His personal setup recipe is as follows, "I lower the strings to the point of buzz and then back it off just a hair. Why make it hard?" Ed uses a non-floating Floyd Rose tremelo system which preserves the bridge to guitar-body contact giving a more stop tail piece level of sustain and tone"

I don't know anybody that uses the damn tone control on a guitar, at least I don't. For me, it's all the way up, period." -EVH

"I like thin frets, that way it's more precise, the bigger, the fatter the fret is the worse the intonation is."-EVH

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Picture Gallery
Choose below from the many different Eddie categories of the Picture Gallery or browse the ClassicVH.com's Gallery or Museum for other pictures.
Eddie Van Halen
The Band
In Concert
Dave and Eddie
Family Pics
Eddie and Alex

Other Celebrities

Eddie Links
Websites dedicated to the greatest guitarist in rock history.
The Offical Van Halen Site Erruption.com Rols Guitars
EddieVanHalen.com The EVH D-Tuna Website
Quotes

"The worse the press, the better." - Creem, May 1984

"I don't even listen to the radio. I don't buy records, I don't listen to anything. D don't mean that I think I'm too good, that I don't have to - but I don't get inspired by listening to anything, except maybe Debussy." - Creem, May 1984

"Fuck if I know how I do the things I do. I just come up with 'em." - Hit Parader

"What's a great song? Lots of people think songs without singing is not a song. Tell Beethoven that and he'll kick your ass!" - Guitar World, July 1985

"Jimmy Page is an excellent producer. Led Zeppelin 1 and Led Zeppelin 2 are classics. As a player. He's very good in the studio. I never saw him play well live. He's very sloppy. He plays like he's got a broken hand and he's two years old. But if you put out a good album and play like a two-year-old live. What's the purpose?" - Guitar World, January 1981

Rethinking Jimmy Page:"He's a genius. He's a great player, a songwriter, a producer. Put it this way, he might not be the greatest executor of whatever, but then you hear a Page solo, he speaks. I've always said Clapton was my main influence, but Page was actually more the way I am, in a reckless-abandon kind of way." - Guitar World, February 1990

Dave somehow manages to come up with something for some of my most fucked up guitar playing. I'm thinking, nobody could do anything with this!! 1980

On David Lee Roth following the commotion with him after the 1997 Music Awards:

"Well, he's an intelligent, well-read guy. But it's like he can't connect the dots somehow." (Guitar World, March 1998).

On how he developed his own style:

"I was so used to doing old blues licks with the first three fingers. When I started using my pinky and finding more spread things, that's when I started getting my own style." (Guitar Classics XI--Guitar Presents #27, 1995)

On Music Inspiration:

"Everything comes to me while I'm sitting on the pot." (Guitar World, March 1998)

On musicianship in general:

"You've only got 12 notes and however you mix them up is your thing." (Guitar Classics XI--Guitar Presents #27, 1995)

Marshall

In Van Halen's early years Ed's now classic tone was a partly due to his 1960's(66 or 67)Marshall Super Lead 100-watt "Plexi" head. The Marshall ran on standard EL34's Sylvania' tubes. Ed used a Variac to lower the voltage according to the sound he wanted to hear


Soldano SLO100

When Ed's Marshall started to fail him in the early 1990's he switched to Soldano SLO100


Peavey

Ed has settled in on his Peavey 5150 and 5150 II signature series amps. Although Ed has had his vintage Marshall restored he relies on the 120-watt 5150 series amplifiers for most studio and tour applications


Many thanks to GuitarGods.com for the descriptions and pictures of Eddie's gear.

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Name :Eddie Van Halen

Date of birth : 26 January 1955

Place of birth : Nijmegen, Gelderland, Netherlands

With their 1978 eponymous debut, Van Halen simultaneously re-wrote the rules for rock guitar and hard rock in general. Guitarist Eddie Van Halen redefined what electric guitar could do, developing a blindingly fast technique with a variety of self-taught two-handed tapping, hammer-ons, pull-offs, and effects that mimicked the sound of machines and animals. It was wildly inventive and over-the-top, equaled only by vocalist David Lee Roth, who brought the role of a metal singer to near performance art standards. Together, they made Van Halen into the most popular American rock & roll band of the late '70s and early '80s, and, in the process, set the template for hard-rock and heavy metal for the '80s. Throughout the '80s, it was impossible not to hear Van Halen's instrumental technique on records that ranged from the heaviest metal to soft-pop.

Through all the upheaval over lead vocalists, Eddie Van Halen and his prodigious talent remained at the core of Van Halen. The son of a Dutch bandleader, Eddie and his family moved from the Netherlands to Pasadena, California in 1967, when he was 12 years old and his older brother Alex was 14. As their father supported the family by playing in wedding bands, Eddie and Alex continued their classical piano training. Soon, both boys were enraptured by rock & roll. Eddie learned how to play drums and Alex took up the guitar, eventually switching instruments. The brothers began a hard-rock band called Mammoth and began playing around Pasadena, eventually meeting David Lee Roth. At the time, Roth, who had been raised in a wealthy Californian family, was singing in Redball Jet. Impressed by the Van Halen brothers, he joined forces with the group. Shortly afterward, bassist Michael Anthony, who was singing with Snake, became a member of Mammoth.

Eddie Van Halen became a role model for modern guitarists, regardless of their tastes and preferences. His talent and skill were unquestioned, and he demonstrated a dazzling array of techniques, from simple riffs to extended solos filled with intricate fret work. "Eruption," an instrumental track on the first album, became his calling card as it was transformed into a lengthy showcase during concerts.

rule

EVH Gear

The Custom built "Franken-Strat"
1978 to 1984

Edward bought the ash body from Linn Ellsworth in 1975 for fifty dollars and the neck (also a cast-off) for eighty dollars. Originally, the body came with single-coil bridge, neck, and middle pickup positions pre-routed and Van Halen, with a chisel, excavated a hole to house a humbucker in the bridge position. He placed in this chiseled hole a P.A.F. from a 1961 Gibson ES-335. The pickup was also "ruined" but sounded good so it's what he used. The single-coil neck pick-up was completely disengaged. The guitar was first sprayed with black and then white Scwinn acrylic lacquer bicycle paint and mounted a black strat-style pickguard (also home-made) eventually only covering the two front (electronics) routings. The Guitar was eventually repainted with red, black and white stripes and orange truck reflectors added to the back of the guitar.. This red-Frankenstrat first appeared as the black and white guitar pictured on the debut VH album The nut was brass and the tailpiece unit was from a 1961 Fender Stratocaster. This guitar was Edward's main instrument for the first several albums and tours. During the band's second world wide stampede Van Halen replaced the original tremelo with then-prototype Floyd Rose. A quarter was attached just under the top-back side of the floyd Rose to keep it from rising up.That first Linn Ellsworth neck was broken by the guitarist's rigorous stage antics and replaced with whatever was handy (including a Danelectro at one point). The Ellsworth neck sported Gibson jumbo frets ("I put those in with the help of some Crazy Glue"-EVH). The tuning heads were Schallers. "There's really no secret. The reason I use what I use is through trial and error,"-EVH


Kramer Guitars
1983 to 1991

In 1983 Ed began endorsing Kramer guitars and used customized Kramer guitars and necks.

Although a Kramer EVH signature model was never created the Kramer "Baretta" was modeled after Ed's frankenstrat (minus the paint job and other EVH customizations)


The Stienberger
1986 to 1998

Edward introduced the Stienberger Tran's Trem equipped guitar into his arsenal in 1986.
This transposing trem first appeared on the 5150 album and tour. The trans-trem tremelo can be heard on the songs "Summer Nights" and "Me Wise Magic" to name a few


EVH Music Man Signature Guitars
1991 to 1994

In 1991 Ed collaborated with Earnie Ball to create a EVH signature guitars of Ed's design.

Ed and Earnie Ball split in 1994
due to problems with slow production and distribution.

Size: 12 5/8" wide, 1" thick, 36 5/8" long
Weight: 8 pounds. Varies Slightly
Body: Wood Basswood with bookmatched figure mapel top
Finish: High gloss polyester
Bridge: Music Man Floyd Rose licensed tremolo
Neck
Size Scale:
25" Radius: 10"
Headstock:
Only 5 7/8" long
Frets: 22 - Special design unique profile fretwire
Width: 1 5/8" at nut, 2 5/32" at last fret
Wood Selected: maple neck and fingerboard, digitally carved
to Ed's specifications
Tuners: Schaller M6La with pearl buttons
Electronics
Pickups:
2 Custom DiMarzio Humbucking
Controls: 500K volume pot with "tone" knob (the way Ed likes it!)
Switch: 3-way toggle pickup selector


The Peavey EVH Wolfgang
1995 - Present

Edward considers the Wolfgang the natural evolution of the Ernie Ball/Music Man guitar. "It's what I would've done had I stayed with Music Man. That would've been the next step," suggests Ed. "The angle of the neck is better, it's balanced better, it's got an arched top, and it's got the D-Tuner," he points out. Ed, in fact, owns the patent to the unique D-tuner. (The "D-Tuna" d-tuner allows you to drop the low E string to a D with the flick of a switch without unclamping the trems nut lock.)

Scale: 23 1/2"
Body: Basswood or figured Maple top with
basswood bottom
Neck: Bolt on oil finished figured birdseye Maple, graphite
reinforced scuplted joint
Fret Board: Birdseye Maple
Frets: 22
Pickups: Two Humbucking designed to Edward
Van Halen's specifications.
Controls: Volume, Tone, # wat Pickup Selector
Bridge: Floyd Rose Licensed double locking tremelo with
patented D-Tuner


Fernandez Sustainer

Ed uses the Fernandez Sustainer pickup which is housed in a Custom Wolfgang guitar (not offered by Peavey). The sustainer can be heard on the songs "Me Wise Magic" and "A Year To The Day" to name a few.

Ed has started using a Wolfgang Special's equipped with the Stienberger transtrem which replaces his customized Stienberger guitar


Guitar Setup

Ed's guitars are strung with Peavey extra-light strings, gauges .009 to .042 Ed sets his action as low as possible for the easiest playability with the least amount of resistance. His personal setup recipe is as follows, "I lower the strings to the point of buzz and then back it off just a hair. Why make it hard?" Ed uses a non-floating Floyd Rose tremelo system which preserves the bridge to guitar-body contact giving a more stop tail piece level of sustain and tone"

I don't know anybody that uses the damn tone control on a guitar, at least I don't. For me, it's all the way up, period." -EVH

"I like thin frets, that way it's more precise, the bigger, the fatter the fret is the worse the intonation is."-EVH

gutter
gutter

Picture Gallery
Choose below from the many different Eddie categories of the Picture Gallery or browse the ClassicVH.com's Gallery or Museum for other pictures.
Eddie Van Halen
The Band
In Concert
Dave and Eddie
Family Pics
Eddie and Alex

Other Celebrities

Eddie Links
Websites dedicated to the greatest guitarist in rock history.
The Offical Van Halen Site Erruption.com Rols Guitars
EddieVanHalen.com The EVH D-Tuna Website
Quotes

"The worse the press, the better." - Creem, May 1984

"I don't even listen to the radio. I don't buy records, I don't listen to anything. D don't mean that I think I'm too good, that I don't have to - but I don't get inspired by listening to anything, except maybe Debussy." - Creem, May 1984

"Fuck if I know how I do the things I do. I just come up with 'em." - Hit Parader

"What's a great song? Lots of people think songs without singing is not a song. Tell Beethoven that and he'll kick your ass!" - Guitar World, July 1985

"Jimmy Page is an excellent producer. Led Zeppelin 1 and Led Zeppelin 2 are classics. As a player. He's very good in the studio. I never saw him play well live. He's very sloppy. He plays like he's got a broken hand and he's two years old. But if you put out a good album and play like a two-year-old live. What's the purpose?" - Guitar World, January 1981

Rethinking Jimmy Page:"He's a genius. He's a great player, a songwriter, a producer. Put it this way, he might not be the greatest executor of whatever, but then you hear a Page solo, he speaks. I've always said Clapton was my main influence, but Page was actually more the way I am, in a reckless-abandon kind of way." - Guitar World, February 1990

Dave somehow manages to come up with something for some of my most fucked up guitar playing. I'm thinking, nobody could do anything with this!! 1980

On David Lee Roth following the commotion with him after the 1997 Music Awards:

"Well, he's an intelligent, well-read guy. But it's like he can't connect the dots somehow." (Guitar World, March 1998).

On how he developed his own style:

"I was so used to doing old blues licks with the first three fingers. When I started using my pinky and finding more spread things, that's when I started getting my own style." (Guitar Classics XI--Guitar Presents #27, 1995)

On Music Inspiration:

"Everything comes to me while I'm sitting on the pot." (Guitar World, March 1998)

On musicianship in general:

"You've only got 12 notes and however you mix them up is your thing." (Guitar Classics XI--Guitar Presents #27, 1995)

Marshall

In Van Halen's early years Ed's now classic tone was a partly due to his 1960's(66 or 67)Marshall Super Lead 100-watt "Plexi" head. The Marshall ran on standard EL34's Sylvania' tubes. Ed used a Variac to lower the voltage according to the sound he wanted to hear


Soldano SLO100

When Ed's Marshall started to fail him in the early 1990's he switched to Soldano SLO100


Peavey

Ed has settled in on his Peavey 5150 and 5150 II signature series amps. Although Ed has had his vintage Marshall restored he relies on the 120-watt 5150 series amplifiers for most studio and tour applications


Many thanks to GuitarGods.com for the descriptions and pictures of Eddie's gear.

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